Program Notes and Text
Wildfire
Composer: Adrienne Schoenfeld
Librettist: Demree McGhee
Mvmt. I
A fire birthed me—
the last of her heat scorching
a ring around my head,
a crown that spelled her name.
The girls fed the flames,
sparks from skipping rocks, and
the tree gave birth to light.
Now these ghosts flock to me.
A father who mistakes me for a star,
a man whose love splits into more
than he can afford.
They huddle, wound tight, smothering.
Despair when the pulse convulses
and surrenders to dirt,
lost to the churchyard like bodies
and heat
Mvmt. 2
A specter as in ghost,
as in story, as in
the yawning empty space thrums in my arms
and my stomach remembers waiting.
We list on this boat
the night leaking into the rain choked morning.
He bends over the rim and the coins
banked in his chest spill past his ribcage
I skim them up and slide the drops of light between
my teeth, for each time I must say no—I have nothing.
Until the light swarming my body
pops the stitches keeping me here.
Untethered—my head lives
a life without me—running her
nails along the walls, pressing
her lips to the things pieced together in the shadows
Mvmt. 3
a fire birthed me but
I pull mirrors from my body—
pearly shards of glass.
Look!
I hold the mirror and there I am look!
I tilt the mirror and hold the girls
dredging along the bottom of the lake—
specters as in
the women you can’t scrub out,
the shape of their bodies striking
you sick with memory.
look,
I am always girl
overrun with youth
but in my paradise
I'm a woman—
gray with time
and soaked in grief, the sea
brings his heart back to me
smoking rock in my palm
and I know the difference between
the star circling my chest
and my own fire
as I rove the hills
like any other animal.
becoming julie, by Lauren Marshall
In the morning, when the eternity of sunlight
presses through the sky and glares in to the hollows of a life like mine.
I ask myself, who is there behind the curtain?
Is it a man, or a woman?
And whose destiny falls upon the sword that lies riddled amongst my clothes and bedsheets on the floor,
Like Chekhov’s gun?
Riddled amongst my clothes and bedsheets on the floor, welcome to my body, welcome to France.
Welcome to the court, welcome to the opera, a web of men and women.
Women to be loved, men to be jousted, women to be eaten, men to be killed
Hot grainy coffee, and we don’t speak of street corner gossip.
An impossible love between two women
Falling dust caught in rays of invisible light.
I see your long look. There is only one woman here.
I would be sorry, but being is not a state of affairs
Governed by the mind
Just as loving is not governed by the heart
A cruel sexuality of morning light
Threatens the androgynous cloak of night
Another life waits for me
Beyond that veil that flame of the body
Switched from darkness to light
I learned to fight, and to watch men die
Don’t ask me whose blood is that
Some kind of birth
I emerge
Beauty and Pain: Musical Portrait of Artemisia Gentileschi
By Rebekah Novinger
Standing there among the colors this is what I knew
Red for blood, green for grass and blue for sky
Such a world my father painted mixing the colors
Such a world I painted as a sweet child
Sweet child what did you see?
Sweet child what do you know?
Sweet child if you asked me today
II would say…
Beauty and pain
Here I am no more a child
Traveling the world, mixing the colors
For dukes and princes queens and friends alike
And yet it seems my stories been forgotten
Bleached away
Sweet child what do you want?
Sweet child what would you say?
Sweet child if you asked me today
II would tell of a life filled with
Beauty and pain.
A young girl and painting Susanna and the Elders
My first public work shows two men as they lurk
While Susanna is bathing
A beauty, my painting, a young thing.
Time moves forward here I am mixing the colors
Father’s gone, but not for long, work called him away
And soon they came, devils at the gate
Devils were lurking, breaking and entering
Climbing the stairs, seeing me there
He came for me.
Devil of lust, between my knees
Tried to break free, I screamed
Age seventeen.
It is true, it is true.
These are the words I spoke on trial;
As pain raged through my pulsing hands,
Hands built for beauty.
I told the judge he came by force.
I scratched his face, he wouldn’t stop;
I threw a knife;
Torture me or not, my story is the same.
It is true.
My father stood beside me; the witnesses they came;
The judge declared him guilty.
Eight months they kept him;
Devil of lust.
I’m married now; off to Florence
I’m studying now at Academia del Disegno
And some say it’s shocking but I say—
Let them laugh, let them talk
Surely not, they say can this be true
Florence academy has a lady, yes
Soon you’ll see, what a woman can do
Studies, it brought a new king of freedome
Finally I could contract my art
No longer was man’s signature needed
There' I could paint desires of the heart
Let them laugh, let them talk
Surely not, they say can this be true
Grand Duke of Tuscany commissions frequently
I’ll show you what a woman can do
Then after a while, I soon had a daughter
My husband was foolish and money ran low
Soon after that I took on a lover
Leaving the husband we traveled to Rome.
Let them laugh, let them talk
Surely not, they say can this be true
Two women traveling no men accompanying
Yes, indeed, it’s a new world you fools
Not much in Rome, we moved on to Venice
A little of this, and a little of that
Age thirty-seven we moved on to Naples
When father in London called me for a task
Let them laugh, let them talk
Surely not, they say can this be true
Painting in courts like her father before her
I’ll show you what a woman can do.
At age sixty all was dark;
Death had come through plague and time
All around was art from days gone by
Sweet little child of my memory
Look at the life that you made
Painting the colors of history
Brought change
If you desire to make beauty
Within a world of great paint
Leave all the voices behind you
And create.
Some will see a life of paint
Others will the beauty view
All I know is life brings you both
Beauty and pain.